"[Y]et, half repentant now / Her headlong haste, she wishes she had staid / To die with those affrighted Fancy paints / The lawless soldiers' victims."

— Smith, Charlotte (1749-1806)


Work Title
Place of Publication
London
Publisher
Printed for T. Cadell
Date
1793
Metaphor
"[Y]et, half repentant now / Her headlong haste, she wishes she had staid / To die with those affrighted Fancy paints / The lawless soldiers' victims."
Metaphor in Context
Oft have I heard the melancholy tale,
Which, all their native gaiety forgot,
These Exiles tell--How Hope impell'd them on,
Reckless of tempest, hunger, or the sword,
Till order'd to retreat, they knew not why,
From all their flattering prospects, they became
The prey of dark suspicion and regret:
Then, in despondence, sunk the unnerv'd arm
Of gallant Loyalty--At every turn
Shame and disgrace appear'd, and seem'd to mock
Their scatter'd squadrons; which the warlike youth,
Unable to endure, often implor'd,
As the last act of friendship, from the hand
Of some brave comrade, to receive the blow
That freed the indignant spirit from its pain.
To a wild mountain, whose bare summit hides
Its broken eminence in clouds; whose steeps
Are dark with woods; where the receding rocks
Are worn by torrents of dissolving snow,
A wretched Woman, pale and breathless, flies!
And, gazing round her, listens to the sound
Of hostile footsteps--No! it dies away:
Nor noise remains, but of the cataract,
Or surly breeze of night, that mutters low
Among the thickets, where she trembling seeks
A temporary shelter--clasping close
To her hard-heaving heart her sleeping child,
All she could rescue of the innocent groupe
That yesterday surrounded her--Escap'd
Almost by miracle! Fear, frantic Fear,
Wing'd her weak feet: yet, half repentant now
Her headlong haste, she wishes she had staid
To die with those affrighted Fancy paints
The lawless soldier's victims
--Hark! again
The driving tempest bears the cry of Death,
And, with deep sudden thunder, the dread sound
Of cannon vibrates on the tremulous earth;
While, bursting in the air, the murderous bomb
Glares o'er her mansion. Where the splinters fall,
Like scatter'd comets, its destructive path
Is mark'd by wreaths of flame!--Then, overwhelm'd
Beneath accumulated horror, sinks
The desolate mourner; yet, in Death itself,
True to maternal tenderness, she tries
To save the unconscious infant from the storm
In which she perishes; and to protect
This last dear object of her ruin'd hopes
From prowling monsters, that from other hills,
More inaccessible, and wilder wastes,
Lur'd by the scent of slaughter, follow fierce
Contending hosts, and to polluted fields
Add dire increase of horrors--But alas!
The Mother and the Infant perish both!--
(pp. 54-7)
Provenance
Searching in HDIS (Poetry)
Citation
The emigrants, a poem, in two books (London: Printed for T. Cadell, 1793). <Link to ECCO>
Date of Entry
07/09/2004
Date of Review
10/06/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.