The "love of Nature's works" "is a flame that dies not even there / Where nothing feeds it"

— Cowper, William (1731-1800)


Work Title
Place of Publication
London
Publisher
Printed for Joseph Johnson
Date
1785
Metaphor
The "love of Nature's works" "is a flame that dies not even there / Where nothing feeds it"
Metaphor in Context
But slighted as it is, and by the great
Abandon'd, and, which still I more regret,
Infected with the manners and the modes
It knew not once, the country wins me still.
I never framed a wish, or form'd a plan
That flatter'd me with hopes of earthly bliss,
But there I laid the scene. There early stray'd
My fancy, ere yet liberty of choice
Had found me, or the hope of being free.
My very dreams were rural, rural too
The first-born efforts of my youthful muse,
Sportive, and jingling her poetic bells
Ere yet her ear was mistress of their powers.
No bard could please me but whose lyre was tuned
To Nature's praises. Heroes and their feats
Fatigued me, never weary of the pipe
Of Tityrus, assembling as he sang
The rustic throng beneath his favourite beech.
Then Milton had indeed a poet's charms.
New to my taste, his Paradise surpass'd
The struggling efforts of my boyish tongue
To speak its excellence; I danced for joy.
I marvel'd much that at so ripe an age
As twice seven years, his beauties had then first
Engaged my wonder, and admiring still
And still admiring, with regret supposed
The joy half lost because not sooner found.
Thee too enamour'd of the life I loved,
Pathetic in its praise, in its pursuit
Determined, and possessing it at last
With transports such as favour'd lovers feel,
I studied, prized, and wish'd that I had known,
Ingenious Cowley! and though now, reclaim'd
By modern lights from an erroneous taste,
I cannot but lament thy splendid wit
Entangled in the cobwebs of the schools,
I still revere thee, courtly though retired,
Though stretch'd at ease in Chertsey's silent bowers
Not unemploy'd, and finding rich amends
For a lost world in solitude and verse.
'Tis born with all. The love of Nature's works
Is an ingredient in the compound, man,
Infused at the creation of the kind.
And though the Almighty Maker has throughout
Discriminated each from each, by strokes
And touches of his hand with so much art
Diversified, that two were never found
Twins at all points,--yet this obtains in all,
That all discern a beauty in his works
And all can taste them. Minds that have been form'd
And tutor'd, with a relish more exact,
But none without some relish, none unmoved.
It is a flame that dies not even there
Where nothing feeds it
. Neither business, crowds,
Nor habits of luxurious city life,
Whatever else they smother of true worth
In human bosoms, quench it or abate.
The villas with which London stands begirt
Like a swarth Indian with his belt of beads,
Prove it. A breath of unadulterate air,
The glimpse of a green pasture, how they cheer
The citizen, and brace his languid frame!
Even in the stifling bosom of the town,
A garden in which nothing thrives, has charms
That soothe the rich possessor; much consoled
That here and there some sprigs of mournful mint,
Of nightshade or valerian, grace the well
He cultivates. These serve him with a hint
That Nature lives, that sight-refreshing green
Is still the livery she delights to wear,
Though sickly samples of the exuberant whole.
What are the casements lined with creeping herbs,
The prouder sashes fronted with a range
Of orange, myrtle, or the fragrant weed
The Frenchman's darling? are they not all proofs
That man, immured in cities, still retains
His inborn inextinguishable thirst
Of rural scenes, compensating his loss
By supplemental shifts, the best he may?
The most unfurnished with the means of life,
And they that never pass their brick-wall bounds
To range the fields and treat their lungs with air,
Yet feel the burning instinct; over head
Suspend their crazy boxes planted thick
And water'd duly. There the pitcher stands
A fragment, and the spoutless tea-pot there;
Sad witnesses how close-pent man regrets
The country, with what ardour he contrives
A peep at nature, when he can no more.
(Bk. IV, ll. 691-779, pp. 204-6)
Categories
Provenance
HDIS
Citation
26 entries in the ESTC (1785, 1786, 1787, 1788, 1790, 1791, 1792, 1793, 1794, 1795, 1796, 1798, 1799, 1800).

See The Task, a Poem, in Six Books. By William Cowper (London: Printed for J. Johnson, 1785). <Link to ECCO>

Reading William Cowper, The Poems of William Cowper. 3 vols. ed. John D. Baird and Charles Ryskamp (Oxford: Oxford UP: 1980). Vol II.
Date of Entry
12/29/2003

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.