The partial Muse, has from my earliest hours / Smil'd on the rugged path I'm doom'd to tread, / And still with sportive hand has snatch'd wild flowers, / To weave fantastic garlands for my head: / But far, far happier is the lot of those / Who never learn'd her dear delusive art; / Which, while it decks the head with many a rose, / Reserves the thorn, to fester in the heart."
— Smith, Charlotte (1749-1806)
Author
Work Title
Place of Publication
Chichester
Publisher
Printed by Dennett Jaques
Date
1784
Metaphor
The partial Muse, has from my earliest hours / Smil'd on the rugged path I'm doom'd to tread, / And still with sportive hand has snatch'd wild flowers, / To weave fantastic garlands for my head: / But far, far happier is the lot of those / Who never learn'd her dear delusive art; / Which, while it decks the head with many a rose, / Reserves the thorn, to fester in the heart."
Metaphor in Context
Sonnet I.
The partial Muse, has from my earliest hours
Smil'd on the rugged path I'm doom'd to tread,
And still with sportive hand has snatch'd wild flowers,
To weave fantastic garlands for my head:
But far, far happier is the lot of those
Who never learn'd her dear delusive art;
Which, while it decks the head with many a rose,
Reserves the thorn, to fester in the heart.
For still me bids soft Pity's melting eye
Stream o'er the ills she knows not to remove,
Points every pang, and deepens every sigh
Of mourning friendship, or unhappy love.
Ah! then, how dear the Muse's favors cost,
If those paint sorrow best--who feel it most!
The partial Muse, has from my earliest hours
Smil'd on the rugged path I'm doom'd to tread,
And still with sportive hand has snatch'd wild flowers,
To weave fantastic garlands for my head:
But far, far happier is the lot of those
Who never learn'd her dear delusive art;
Which, while it decks the head with many a rose,
Reserves the thorn, to fester in the heart.
For still me bids soft Pity's melting eye
Stream o'er the ills she knows not to remove,
Points every pang, and deepens every sigh
Of mourning friendship, or unhappy love.
Ah! then, how dear the Muse's favors cost,
If those paint sorrow best--who feel it most!
Categories
Provenance
Reading
Citation
At least 15 entries in the ESTC (1784, 1786, 1787, 1789, 1790, 1792, 1795, 1797, 1800).
Text drawn and corrected from OCR of 1789 edition in Google Books. Reading and comparing The Poems of Charlotte Smith, ed. Stuart Curran (New York and Oxford: OUP, 1993).
Elegiac Sonnets, and Other Essays. By Charlotte Smith of Bignor Park, In Sussex, 2nd edition (Chichester: Printed by Dennett Jaques, 1784). <Link to ECCO>
See also Elegiac Sonnets and Other Poems, by Charlotte Smith, 9th edition, 2 vols. (London: Printed for T. Cadell, Jun. and W. Davies, 1800). <Link to volume I in Google Books> <Link to volume II in ECCO> — Note, Curran uses this edition as his base text for Sonnets 1 through 59.
Text drawn and corrected from OCR of 1789 edition in Google Books. Reading and comparing The Poems of Charlotte Smith, ed. Stuart Curran (New York and Oxford: OUP, 1993).
Elegiac Sonnets, and Other Essays. By Charlotte Smith of Bignor Park, In Sussex, 2nd edition (Chichester: Printed by Dennett Jaques, 1784). <Link to ECCO>
See also Elegiac Sonnets and Other Poems, by Charlotte Smith, 9th edition, 2 vols. (London: Printed for T. Cadell, Jun. and W. Davies, 1800). <Link to volume I in Google Books> <Link to volume II in ECCO> — Note, Curran uses this edition as his base text for Sonnets 1 through 59.
Date of Entry
07/28/2003
Date of Review
06/13/2013
