"Then the inexpressive strain / Diffuses its inchantment: fancy dreams / Of sacred fountains and Elysian groves, / And vales of bliss: the intellectual power / Bends from his awful throne a wondering ear, / And smiles: the passions, gently sooth'd away, / Sink to divine repose, and love and joy / Alone are waking; love and joy, serene / As airs that fan the summer."
— Akenside, Mark (1720-1771)
Author
Work Title
Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"Then the inexpressive strain / Diffuses its inchantment: fancy dreams / Of sacred fountains and Elysian groves, / And vales of bliss: the intellectual power / Bends from his awful throne a wondering ear, / And smiles: the passions, gently sooth'd away, / Sink to divine repose, and love and joy / Alone are waking; love and joy, serene / As airs that fan the summer."
Metaphor in Context
For as old Memnon's image, long renown'd
By fabling Nilus, to the quivering touch
Of Titan's ray, with each repulsive string
Consenting, sounded through the warbling air
Unbidden strains; even so did nature's hand
To certain species of external things,
Attune the finer organs of the mind:
So the glad impulse of congenial powers,
Or of sweet sound, or fair proportion'd form,
The grace of motion, or the bloom of light,
Thrills through imagination's tender frame,
From nerve to nerve: all naked and alive
They catch the spreading rays: till now the soul
At length discloses every tuneful spring,
To that harmonious movement from without
Responsive. Then the inexpressive strain
Diffuses its inchantment: fancy dreams
Of sacred fountains and Elysian groves,
And vales of bliss: the intellectual power
Bends from his awful throne a wondering ear,
And smiles: the passions, gently sooth'd away,
Sink to divine repose, and love and joy
Alone are waking; love and joy, serene
As airs that fan the summer. O! attend,
Whoe'er thou art, whom these delights can touch,
Whose candid bosom the refining love
Of nature warms, o! listen to my song;
And i will guide thee to her favourite walks,
And teach thy solitude her voice to hear,
And point her loveliest features to thy view.
(Bk. I, ll. 109-39, pp. 17-8)
By fabling Nilus, to the quivering touch
Of Titan's ray, with each repulsive string
Consenting, sounded through the warbling air
Unbidden strains; even so did nature's hand
To certain species of external things,
Attune the finer organs of the mind:
So the glad impulse of congenial powers,
Or of sweet sound, or fair proportion'd form,
The grace of motion, or the bloom of light,
Thrills through imagination's tender frame,
From nerve to nerve: all naked and alive
They catch the spreading rays: till now the soul
At length discloses every tuneful spring,
To that harmonious movement from without
Responsive. Then the inexpressive strain
Diffuses its inchantment: fancy dreams
Of sacred fountains and Elysian groves,
And vales of bliss: the intellectual power
Bends from his awful throne a wondering ear,
And smiles: the passions, gently sooth'd away,
Sink to divine repose, and love and joy
Alone are waking; love and joy, serene
As airs that fan the summer. O! attend,
Whoe'er thou art, whom these delights can touch,
Whose candid bosom the refining love
Of nature warms, o! listen to my song;
And i will guide thee to her favourite walks,
And teach thy solitude her voice to hear,
And point her loveliest features to thy view.
(Bk. I, ll. 109-39, pp. 17-8)
Provenance
HDIS (Poetry)
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
01/06/2004
Date of Review
06/11/2011
