"What pity then / Should sloth's unkindly fogs depress to earth / Her [the soul's] tender blossom; choak the streams of life, / And blast her spring!"
— Akenside, Mark (1720-1771)
Author
Work Title
Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"What pity then / Should sloth's unkindly fogs depress to earth / Her [the soul's] tender blossom; choak the streams of life, / And blast her spring!"
Metaphor in Context
Call now to mind what high capacious powers
Lie folded up in man; how far beyond
The praise of mortals, may the eternal growth
Of nature to perfection half divine,
Expand the blooming soul? What pity then
Should sloth's unkindly fogs depress to earth
Her tender blossom; choak the streams of life,
And blast her spring! Far otherwise design'd
Almighty wisdom; nature's happy cares
The obedient heart far otherwise incline.
Witness the sprightly joy when aught unknown
Strikes the quick sense, and wakes each active power
To brisker measures: witness the neglect
Of all familiar prospects, though beheld
With transport once; the fond attentive gaze
Of young astonishment; the sober zeal
Of age, commenting on prodigious things.
For such the bounteous providence of heaven,
In every breast implanting this desire
Of objects new and strange, to urge us on
With unremitted labour to pursue
Those sacred stores that wait the ripening soul,
In Truth's exhaustless bosom. What need words
To paint its power? For this the daring youth
Breaks from his weeping mother's anxious arms,
In foreign climes to rove: the pensive sage,
Heedless of sleep, or midnight's harmful damp,
Hangs o'er the sickly taper; and untir'd
The virgin follows, with inchanted step,
The mazes of some wild and wondrous tale,
From morn to eve; unmindful of her form,
Unmindful of the happy dress that stole
The wishes of the youth, when every maid
With envy pin'd. Hence, finally, by night
The village-matron, round the blazing hearth,
Suspends the infant-audience with her tales,
Breathing astonishment! of witching rhimes,
And evil spirits; of the death-bed call
Of him who robb'd the widow, and devour'd
The orphan's portion; of unquiet souls
Risen from the grave to ease the heavy guilt
Of deeds in life conceal'd; of shapes that walk
At dead of night, and clank their chains, and wave
The torch of hell around the murderer's bed.
At every solemn pause the croud recoil
Gazing each other speechless, and congeal'd
With shivering sighs: till eager for the event,
Around the beldame all arrect they hang,
Each trembling heart with grateful terrors quell'd.
(Bk. I, ll. 222-70, pp. 23-5)
Lie folded up in man; how far beyond
The praise of mortals, may the eternal growth
Of nature to perfection half divine,
Expand the blooming soul? What pity then
Should sloth's unkindly fogs depress to earth
Her tender blossom; choak the streams of life,
And blast her spring! Far otherwise design'd
Almighty wisdom; nature's happy cares
The obedient heart far otherwise incline.
Witness the sprightly joy when aught unknown
Strikes the quick sense, and wakes each active power
To brisker measures: witness the neglect
Of all familiar prospects, though beheld
With transport once; the fond attentive gaze
Of young astonishment; the sober zeal
Of age, commenting on prodigious things.
For such the bounteous providence of heaven,
In every breast implanting this desire
Of objects new and strange, to urge us on
With unremitted labour to pursue
Those sacred stores that wait the ripening soul,
In Truth's exhaustless bosom. What need words
To paint its power? For this the daring youth
Breaks from his weeping mother's anxious arms,
In foreign climes to rove: the pensive sage,
Heedless of sleep, or midnight's harmful damp,
Hangs o'er the sickly taper; and untir'd
The virgin follows, with inchanted step,
The mazes of some wild and wondrous tale,
From morn to eve; unmindful of her form,
Unmindful of the happy dress that stole
The wishes of the youth, when every maid
With envy pin'd. Hence, finally, by night
The village-matron, round the blazing hearth,
Suspends the infant-audience with her tales,
Breathing astonishment! of witching rhimes,
And evil spirits; of the death-bed call
Of him who robb'd the widow, and devour'd
The orphan's portion; of unquiet souls
Risen from the grave to ease the heavy guilt
Of deeds in life conceal'd; of shapes that walk
At dead of night, and clank their chains, and wave
The torch of hell around the murderer's bed.
At every solemn pause the croud recoil
Gazing each other speechless, and congeal'd
With shivering sighs: till eager for the event,
Around the beldame all arrect they hang,
Each trembling heart with grateful terrors quell'd.
(Bk. I, ll. 222-70, pp. 23-5)
Categories
Provenance
HDIS (Poetry)
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
01/05/2004
Date of Review
06/11/2011
