"Nor thence partakes / Fresh pleasure only: for the attentive mind, / By this harmonious action on her powers / Becomes herself harmonious: wont so oft / In outward things to meditate the charm / Of sacred order, soon she seeks at home / To find a kindred order, to exert / Within herself this elegance of love, / This fair-inspir'd delight: her temper'd powers / Refine at length, and every passion wears / A chaster, milder, more attractive mien."
— Akenside, Mark (1720-1771)
Author
Work Title
Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"Nor thence partakes / Fresh pleasure only: for the attentive mind, / By this harmonious action on her powers / Becomes herself harmonious: wont so oft / In outward things to meditate the charm / Of sacred order, soon she seeks at home / To find a kindred order, to exert / Within herself this elegance of love, / This fair-inspir'd delight: her temper'd powers / Refine at length, and every passion wears / A chaster, milder, more attractive mien."
Metaphor in Context
Not a breeze
Flies o'er the meadow, not a cloud imbibes
The setting sun's effulgence, not a strain
From all the tenants of the warbling shade
Ascends, but whence his bosom can partake
Fresh pleasure, unreprov'd. Nor thence partakes
Fresh pleasure only: for the attentive mind,
By this harmonious action on her powers
Becomes herself harmonious: wont so oft
In outward things to meditate the charm
Of sacred order, soon she seeks at home
To find a kindred order, to exert
Within herself this elegance of love,
This fair-inspir'd delight: her temper'd powers
Refine at length, and every passion wears
A chaster, milder, more attractive mien.
(p. 95, Bk. III, ll. 593-608)
Flies o'er the meadow, not a cloud imbibes
The setting sun's effulgence, not a strain
From all the tenants of the warbling shade
Ascends, but whence his bosom can partake
Fresh pleasure, unreprov'd. Nor thence partakes
Fresh pleasure only: for the attentive mind,
By this harmonious action on her powers
Becomes herself harmonious: wont so oft
In outward things to meditate the charm
Of sacred order, soon she seeks at home
To find a kindred order, to exert
Within herself this elegance of love,
This fair-inspir'd delight: her temper'd powers
Refine at length, and every passion wears
A chaster, milder, more attractive mien.
(p. 95, Bk. III, ll. 593-608)
Categories
Provenance
HDIS (Poetry)
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
09/14/2009
Date of Review
06/10/2011
