"By these mysterious ties the busy power / Of memory her ideal train preserves / Intire; or when they would elude her watch, / Reclaims their fleeting footsteps from the waste / Of dark oblivion."
— Akenside, Mark (1720-1771)
Author
Work Title
Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"By these mysterious ties the busy power / Of memory her ideal train preserves / Intire; or when they would elude her watch, / Reclaims their fleeting footsteps from the waste / Of dark oblivion."
Metaphor in Context
Such is the secret union, when we feel
A song, a flower, a name, at once restore
Those long connected scenes where first they mov'd
The attention: backward through her mazy walks
Guiding the wanton fancy to her scope,
To temples, courts or fields; with all the band
Of painted forms, of passions and designs
Attendant: whence, if pleasing in itself,
The prospect from that sweet accession gains
Redoubled influence o'er the listening mind.
By these mysterious ties the busy power
Of memory her ideal train preserves
Intire; or when they would elude her watch,
Reclaims their fleeting footsteps from the waste
Of dark oblivion; thus collecting all
The various forms of being to present,
Before the curious aim of mimic art,
Their largest choice: like spring's unfolded blooms
Exhaling sweetness, that the skillful bee
May taste at will, from their selected spoils
To work her dulcet food.
(p. 85, Bk. III, ll. 338-358)
A song, a flower, a name, at once restore
Those long connected scenes where first they mov'd
The attention: backward through her mazy walks
Guiding the wanton fancy to her scope,
To temples, courts or fields; with all the band
Of painted forms, of passions and designs
Attendant: whence, if pleasing in itself,
The prospect from that sweet accession gains
Redoubled influence o'er the listening mind.
By these mysterious ties the busy power
Of memory her ideal train preserves
Intire; or when they would elude her watch,
Reclaims their fleeting footsteps from the waste
Of dark oblivion; thus collecting all
The various forms of being to present,
Before the curious aim of mimic art,
Their largest choice: like spring's unfolded blooms
Exhaling sweetness, that the skillful bee
May taste at will, from their selected spoils
To work her dulcet food.
(p. 85, Bk. III, ll. 338-358)
Categories
Provenance
HDIS (Poetry)
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>
Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>
Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
09/14/2009
Date of Review
06/10/2011
