"The idea of that dreary and endless melancholy, which the fancy naturally ascribes to their condition, arises altogether from our joining to the change which has been produced upon them, our own consciousness of that change, from our putting ourselves in their situation, and from our lodging, if I may be allowed to say so, our own living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case."

— Smith, Adam (1723-1790)


Place of Publication
London and Edinburgh
Publisher
Printed for A. Millar, A. Kincaid, and J. Bell
Date
1759
Metaphor
"The idea of that dreary and endless melancholy, which the fancy naturally ascribes to their condition, arises altogether from our joining to the change which has been produced upon them, our own consciousness of that change, from our putting ourselves in their situation, and from our lodging, if I may be allowed to say so, our own living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case."
Metaphor in Context
We sympathize even with the dead, and overlooking what is of real importance in their situation, that awful futurity which awaits them, we are chiefly affected by those circumstances which strike our senses, but can have no influence upon their happiness. It is miserable, we think, to be deprived of the light of the sun; to be shut out from life and conversation; to be laid in the cold grave a prey to corruption and the reptiles of the earth; to be no more thought of in this world, but to be obliterated in a little time from the affections and almost from the memory of their dearest friends and relations. Surely, we imagine, we can never feel too much for those who have suffered so dreadful a calamity. The tribute of our fellow-feeling seems doubly due to them now when they are in danger of being forgot by every body: and, by the vain honours which we pay to their memory, we endeavour, for our own misery, artificially to keep alive our melancholy remembrance of their misfortune. That our sympathy can afford them no consolation seems to be an addition to their calamity; and to think that all we can do is unavailing, and that, what alleviates all other distress, the regret, the love and the lamentation of their friends, can yield no comfort to them, serves only to exasperate our sense of their misery. The happiness of the dead, however, most assuredly, is affected by none of these circumstances; nor is it the thought of these things which can ever disturb the security of their repose. The idea of that dreary and endless melancholy, which the fancy naturally ascribes to their condition, arises altogether from our joining to the change which has been produced upon them, our own consciousness of that change, from our putting ourselves in their situation, and from our lodging, if I may be allowed to say so, our own living souls in their inanimated bodies, and thence conceiving what would be our emotions in this case. It is this very illusion of the imagination which renders the foresight of our own dissolution so terrible to us, and the idea of those circumstances, which undoubtedly can give us no pain when we are dead, makes us miserable while we are alive. And from thence arises one of the most important principles in human nature, the dread of death, the great poison to the happiness, but the great restraint upon the injustice of mankind, which, while it afflicts and mortifies the individual, guards and protects the society.
(pp. 11-13; cf. 13 in Liberty Fund edition)
Provenance
Reading. Found also in Martin's and Barresi's Naturalization of the Soul (London: Routledge, 2000), 99.
Citation
10 entries in the ESTC (1759, 1761, 1764, 1767, 1774, 1777, 1781, 1790, 1792, 1793, 1797). A revised title with a complicated textual history.

See The Theory of Moral Sentiments: By Adam Smith (London: Printed for A. Millar; and A. Kincaid and J. Bell, in Edinburgh, 1759). <Link to ESTC><Link to ECCO-TCP>

Reading Adam Smith, The Theory of Moral Sentiments, ed. D.D. Raphael and A.L. Macfie (Indianapolis: Liberty Fund, 1984).
Date of Entry
10/25/2004

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.