"With what a gust do we retire to our disinterested, and immortal friends in our closet, and find our minds, when applied to some favourite theme, as naturally, and as easily quieted, and refreshed, as a peevish child (and peevish children are we all till we fall asleep) when laid to the breast?"
— Young, Edward (bap. 1683, d. 1765)
Work Title
Place of Publication
London
Publisher
A. Millar and R. and J. Dodsley
Date
1759
Metaphor
"With what a gust do we retire to our disinterested, and immortal friends in our closet, and find our minds, when applied to some favourite theme, as naturally, and as easily quieted, and refreshed, as a peevish child (and peevish children are we all till we fall asleep) when laid to the breast?"
Metaphor in Context
This restriction allowed, the more composition the better. To men of letters, and leisure, it is not only a noble amusement, but a sweet refuge; it improves their parts, and promotes their peace: It opens a back-door out of the bustle of this busy, and idle world, into a delicious garden of moral and intellectual fruits and flowers; the key of which is denied to the rest of mankind. When stung with idle anxieties, or teazed with fruitless impertinence, or yawning over insipid diversions, then we perceive the blessing of a letter'd recess. With what a gust do we retire to our disinterested, and immortal friends in our closet, and find our minds, when applied to some favourite theme, as naturally, and as easily quieted, and refreshed, as a peevish child (and peevish children are we all till we fall asleep) when laid to the breast? Our happiness no longer lives on charity; nor bids fair for a fall, by leaning on that most precarious, and thorny pillow, another's pleasure, for our repose. How independent of the world is he, who can daily find new acquaintance, that at once entertain, and improve him, in the little world, the minute but fruitful creation, of his own mind?
(pp. 5-6)
(pp. 5-6)
Categories
Provenance
HDIS (Prose)
Citation
At least 12 entries in ECCO and ESTC (1759, 1765, 1767, 1768, 1770, 1774, 1778, 1796, 1798).
See Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. (London: Printed for A. Millar, in The Strand; and R. and J. Dodsley, in Pall-Mall, 1759). <Link to ESTC><Link to Google Books>
The text was initially drawn from RPO and Chadwyck-Healey's Literature Online (LION). The LION text claims to reproduce the 1759 printing but is marred by typographical errors and has been irregularly modernized. These entries checked against Google Books page images for accuracy and corrected for obvious errors, but italics and capitalization have not yet been uniformly transcribed.
See Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. (London: Printed for A. Millar, in The Strand; and R. and J. Dodsley, in Pall-Mall, 1759). <Link to ESTC><Link to Google Books>
The text was initially drawn from RPO and Chadwyck-Healey's Literature Online (LION). The LION text claims to reproduce the 1759 printing but is marred by typographical errors and has been irregularly modernized. These entries checked against Google Books page images for accuracy and corrected for obvious errors, but italics and capitalization have not yet been uniformly transcribed.
Date of Entry
01/28/2004
