"That medling Ape Imitation, as soon as we come to years of Indiscretion (so let me speak), snatches the Pen, and blots out nature's mark of Separation, cancels her kind intention, destroys all mental Individuality"
— Young, Edward (bap. 1683, d. 1765)
Work Title
Place of Publication
London
Publisher
A. Millar and R. and J. Dodsley
Date
1759
Metaphor
"That medling Ape Imitation, as soon as we come to years of Indiscretion (so let me speak), snatches the Pen, and blots out nature's mark of Separation, cancels her kind intention, destroys all mental Individuality"
Metaphor in Context
Nay, so far are we from complying with a necessity, which Nature lays us under, that, Secondly , by a spirit of Imitation we counteract Nature, and thwart her design. She brings us into the world all Originals: No two faces, no two minds, are just alike; but all bear Nature's evident mark of Separation on them. Born Originals, how comes it to pass that we die Copies? That medling Ape Imitation, as soon as we come to years of Indiscretion (so let me speak), snatches the Pen, and blots out nature's mark of Separation, cancels her kind intention, destroys all mental Individuality; the letter'd world no longer consists of Singulars, it is a Medly, a Mass; and a hundred books, at bottom, are but One. Why are Monkies such masters of mimickry? Why receive they such a talent at imitation? Is it not as the Spartan slaves received a licence for ebriety; that their Betters might be ashamed of it? (42-3)
Categories
Provenance
http://eir.library.utoronto.ca/rpo/display/displayprose.cfm?prosenum=16
Citation
At least 12 entries in ECCO and ESTC (1759, 1765, 1767, 1768, 1770, 1774, 1778, 1796, 1798).
See Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. (London: Printed for A. Millar, in The Strand; and R. and J. Dodsley, in Pall-Mall, 1759). <Link to ESTC><Link to Google Books>
The text was initially drawn from RPO and Chadwyck-Healey's Literature Online (LION). The LION text claims to reproduce the 1759 printing but is marred by typographical errors and has been irregularly modernized. These entries checked against Google Books page images for accuracy and corrected for obvious errors, but italics and capitalization have not yet been uniformly transcribed.
See Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. (London: Printed for A. Millar, in The Strand; and R. and J. Dodsley, in Pall-Mall, 1759). <Link to ESTC><Link to Google Books>
The text was initially drawn from RPO and Chadwyck-Healey's Literature Online (LION). The LION text claims to reproduce the 1759 printing but is marred by typographical errors and has been irregularly modernized. These entries checked against Google Books page images for accuracy and corrected for obvious errors, but italics and capitalization have not yet been uniformly transcribed.
Date of Entry
09/14/2009
Date of Review
10/23/2003
