"Upon the whole, however, she past a miserable and sleepless Night, her gentle Mind torn and distracted with various and contending Passions, distressed with Doubts, and wandring in a kind of Twilight, which presented her only Objects of different Degrees of Horrour, and where black Despair closed at a small Distance the gloomy Prospect"

— Fielding, Henry (1707-1754)


Work Title
Place of Publication
London
Publisher
Printed for A. Millar
Date
1752
Metaphor
"Upon the whole, however, she past a miserable and sleepless Night, her gentle Mind torn and distracted with various and contending Passions, distressed with Doubts, and wandring in a kind of Twilight, which presented her only Objects of different Degrees of Horrour, and where black Despair closed at a small Distance the gloomy Prospect"
Metaphor in Context
Amelia pretty well guessed the obscure Meaning of this Letter, which though at another Time it might have given her unspeakable Torment, was at present rather of the medicinal Kind, and served to allay her Anguish. Her Anger to Booth too began a little to abate, and was softened by her Concern for his Misfortune. Upon the whole, however, she past a miserable and sleepless Night, her gentle Mind torn and distracted with various and contending Passions, distressed with Doubts, and wandring in a kind of Twilight, which presented her only Objects of different Degrees of Horrour, and where black Despair closed at a small Distance the gloomy Prospect. (IV.xi.9)
Provenance
HDIS (Prose)
Citation
13 entries in ESTC (1752, 1762, 1771, 1775, 1777, 1780, 1790, 1793).

See Amelia. By Henry Fielding, 4 vols. (London: A. Millar, 1752). <Link to ECCO>

Reading Henry Fielding, Amelia, ed. David Blewett (London: Penguin Books, 1987).
Date of Entry
09/14/2009
Date of Review
10/22/2003

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.