"The Passions, like the Managers of a Playhouse, often force Men upon Parts, without consulting, their Judgement, and sometimes without any Regard to their Talents"

— Fielding, Henry (1707-1754)


Place of Publication
London
Publisher
Printed for A. Millar
Date
1749
Metaphor
"The Passions, like the Managers of a Playhouse, often force Men upon Parts, without consulting, their Judgement, and sometimes without any Regard to their Talents"
Metaphor in Context
A single bad Act no more constitutes a Villain in Life, than a single bad Part on the Stage. The Passions, like the Managers of a Playhouse, often force Men upon Parts, without consulting, their Judgement, and sometimes without any Regard to their Talents. Thus the Man, as well as the Player, may condemn what he himself acts; nay, it is common to see Vice sit as awkwardly on some Men, as the Character of [Page 9] Iago would on the honest Face of Mr. William Mills.
Provenance
Reading Morris Golden's Fielding's Moral Psychology. University of Massachussetts Press, 1966. p. 67.
Citation
Over 75 entries in the ESTC (1749, 1750, 1751, 1759, 1763, 1764, 1765, 1766, 1767, 1768, 1769, 1770, 1771, 1773, 1774, 1775, 1776, 1777, 1780, 1782, 1783, 1784, 1786, 1787, 1789, 1791, 1792, 1794, 1795, 1797, 1800).

See The History of Tom Jones, a Foundling. In Six Volumes. By Henry Fielding. (London: Printed for A. Millar, 1749). <Link to ECCO><Link to LION>

See also three-volume Dublin edition in ECCO-TCP <Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>

Reading The History of Tom Jones, a Foundling. Norton Critical Edition, ed. Sheridan W. Baker. (New York: W. W. Norton and Company, Inc., 1973).

Also reading Henry Fielding, Tom Jones, eds. John Bender and Simon Stern (Oxford: OUP, 1996).
Date of Entry
05/19/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.