"Nature has therefore endued us with a MIDDLE FACULTY, wonderfully adapted to our MIXED State, which holds partly of Sense and partly of Reason, being strongly allied to the former, and the common Receptacle in which all the Notices that come from that quarter are treasured up, and yet greatly subservient and ministerial to the latter, by giving a Body, a Coherence, and Beauty to its Conceptions."

— Fordyce, David (bap. 1711, d. 1751)


Place of Publication
London
Date
1748
Metaphor
"Nature has therefore endued us with a MIDDLE FACULTY, wonderfully adapted to our MIXED State, which holds partly of Sense and partly of Reason, being strongly allied to the former, and the common Receptacle in which all the Notices that come from that quarter are treasured up, and yet greatly subservient and ministerial to the latter, by giving a Body, a Coherence, and Beauty to its Conceptions."
Metaphor in Context
A very slight Inspection into human Nature suggests to us, that no kind of Objects make so powerful an Impression on us as those which are immediately impressed on our Senses, or strongly painted on our Imaginations. Whatever is purely Intellectual, as abstracted or scientific Truths, the subtile Relations and Differences of Things, has a fainter sort of Existence in the Mind; and though it may exercise and whet the Memory, the Judgment, or the Reasoning Powers, gives hardly any Impulse at all to the Active Powers, the Passions, which are the main Springs of Motion. On the other hand, were the Mind entirely under the Direction of Sense, and impressible only by such Objects as are present, and strike some of the outward Organs, we should then be precisely in the State of the Brute-Creation, and be governed solely by Instinct or Appetite, and have no Power to controul whatever Impressions are made upon us: Nature has therefore endued us with a MIDDLE FACULTY, wonderfully adapted to our MIXED State, which holds partly of Sense and partly of Reason, being strongly allied to the former, and the common Receptacle in which all the Notices that come from that quarter are treasured up, and yet greatly subservient and ministerial to the latter, by giving a Body, a Coherence, and Beauty to its Conceptions. This middle Faculty is called the IMAGINATION, one of the most busy and fruitful Powers of the Mind. Into this common Storehouse are likewise carried all those Moral Images or Forms which are derived from our Moral Faculties of Perception, and there they often undergo new Changes and Appearances, by being mixed and wrought up with the Images and Forms of Sensible or Natural Things. By this Coalition of Imagery, Natural Beauty is dignified and heightened by Moral Qualities and Perfections, and Moral Qualities are at once exhibited, and set off by Natural Beauty. The sensible Beauty, or Good, is refined from its Dross by partaking of the Moral, and the Moral receives a Stamp, a visible Character and Currency from the Sensible.--But in order to judge of this mutual Influence, it will be proper to give a few Instances of the Process of the Imagination, or of the Energy of the associating Principle.
(p. 123-4)
Provenance
Searching "mind" in Liberty Fund OLL
Citation
Fordyce, David. The Elements of Moral Philosophy, in Three Books with A Brief Account of the Nature, Progress and Origin of Philosophy. Ed. Thomas Kennedy. Indianapolis: Liberty Fund, 2003.
Date of Entry
08/18/2005
Date of Review
10/10/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.