"Zephyrs, that oft, where lovers list'ning lie, / Along the grove, in melting music die, / And in lone caves to minds poetic roll / Seraphic whispers, that abstract the soul."

— Savage, Richard (1697/8-1743)


Work Title
Place of Publication
London
Publisher
Printed for J. Walthoe
Date
1729
Metaphor
"Zephyrs, that oft, where lovers list'ning lie, / Along the grove, in melting music die, / And in lone caves to minds poetic roll / Seraphic whispers, that abstract the soul."
Metaphor in Context
Nor are these tasks to him alone consign'd,
Millions invisible befriend mankind.
When wat'ry structures, seen cross heav'n t'ascend,
Arch above arch in radiant order bend,
Fancy beholds adown each glitt'ring side,
Myriads of missionary seraphs glide:
She sees good angels genial show'rs bestow
From the red convex of the dewy bow.
They smile upon the swain: He views the prize;
Then grateful bends, to bless the bounteous skies.
Some winds collect, and send propitious gales
Oft where Britannia's navy spreads her sails;
There ever wafting, on the breath of fame,
Unequal'd glory in her sovereign's name.
Some teach young zephyrs vernal sweets to bear.
And float the balmy health on ambient air;
Zephyrs, that oft, where lovers list'ning lie,
Along the grove, in melting music die,
And in lone caves to minds poetic roll
Seraphic whispers, that abstract the soul.

Some range the colours, as they parted fly,
Clear-pointed to the philosophic eye;
The flaming red, that pains the dwelling gaze;
The stainless, lightsome yellow's gilding rays;
The clouded orange, that betwixt them glows,
And to kind mixture tawny lustre owes;
All-cheering-green, that gives the spring its dye;
The bright, transparent blue, that robes the sky;
And indico, which shaded light displays;
And violet, which in the view decays.
Parental hues, whence others all proceed;
An ever-mingling, changeful, countless breed;
Unravel'd, variegated, lines of light,
When blended, dazzling in promiscuous white.
Oft thro' these bows departed spirits range,
New to the skies, admiring at their change;
Each mind a void, as when first born to earth,
Beheld a second blank in second birth;
Then, as yon Seraph-bard fram'd hearts below,
Each sees him here transcendent knowledge show,
New saints he tutors into truth refin'd,
And tunes to rapt'rous love the new-form'd mind.
He swells the lyre, whose loud, melodious lays
Call high Hosannah's from the voice of praise;
Tho' one bad age such poesy cou'd wrong,
Now worlds around retentive roll the song:
Now God's high throne the full-voic'd raptures gain,
Celestial hosts returning strain for strain.
Thus he, who once knew want without relief,
Sees joys resulting from well-suff'ring grief.
Hark! while we talk, a distant, patt'ring rain
Resounds!--See! up the broad etherial plain
Shoots the bright bow!--The seraph flits away;
The Muse, the Graces from our view decay.
Provenance
Searching "mind" and "cave" in HDIS (Poetry)
Citation
At least 8 entries in ECCO and ESTC (1729, 1761, 1775, 1775, 1777, 1779, 1780).

See also The Wanderer: A Poem. In Five Canto's. By Richard Savage, Son of the late Earl Rivers. (London: Printed for J. Walthoe, 1729). <Link to ESTC><Link to ECCO>

Text from The Works of Richard Savage ... With an Account of the Life and Writings of the Author, by Samuel Johnson. A New Edition (London: Printed for T. Evans, 1777). <Link to LION>
Date of Entry
01/18/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.