"That with the vivid energy of sense, / The truth of Nature, which with Attic point / And kind well temper'd satire, smoothly keen, / Steals through the soul, and without pain corrects."
— Thomson, James (1700-1748)
Author
Work Title
Place of Publication
London
Publisher
A. Millar
Date
1744, 1746
Metaphor
"That with the vivid energy of sense, / The truth of Nature, which with Attic point / And kind well temper'd satire, smoothly keen, / Steals through the soul, and without pain corrects."
Metaphor in Context
O Thou, whose wisdom, solid yet refined,
Whose patriot-virtues, and consummate skill
To touch the finer springs that move the world,
Join'd to whate'er the Graces can bestow,
And all Apollo's animating fire,
Give thee, with pleasing dignity, to shine
At once the guardian, ornament, and joy,
Of polish'd life; permit the Rural Muse,
O Chesterfield, to grace with thee her song!
Ere to the shades again she humbly flies,
Indulge her fond ambition, in thy train,
(For every Muse has in thy train a place)
To mark thy various full-accomplish'd mind:
To mark that spirit, which, with British scorn,
Rejects the allurements of corrupted power;
That elegant politeness, which excels,
E'en in the judgment of presumptuous France,
The boasted manners of her shining court;
That wit, the vivid energy of sense,
The truth of Nature, which with Attic point
And kind well temper'd satire, smoothly keen,
Steals through the soul, and without pain corrects.
Or rising thence with yet a brighter flame,
O let me hail thee on some glorious day,
When to the listening senate, ardent, crowd
Britannia's sons to hear her pleaded cause.
Then dress'd by thee, more amiably fair,
Truth the soft robe of mild persuasion wears:
Thou to assenting reason givest again
Her own enlighten'd thoughts; call'd from the heart,
The obedient passions on thy voice attend;
And e'en reluctant party feels a while
Thy gracious power: as through the varied maze
Of eloquence, now smooth, now quick, now strong,
Profound and clear, you roll the copious flood.
(ll. 656-90)
Whose patriot-virtues, and consummate skill
To touch the finer springs that move the world,
Join'd to whate'er the Graces can bestow,
And all Apollo's animating fire,
Give thee, with pleasing dignity, to shine
At once the guardian, ornament, and joy,
Of polish'd life; permit the Rural Muse,
O Chesterfield, to grace with thee her song!
Ere to the shades again she humbly flies,
Indulge her fond ambition, in thy train,
(For every Muse has in thy train a place)
To mark thy various full-accomplish'd mind:
To mark that spirit, which, with British scorn,
Rejects the allurements of corrupted power;
That elegant politeness, which excels,
E'en in the judgment of presumptuous France,
The boasted manners of her shining court;
That wit, the vivid energy of sense,
The truth of Nature, which with Attic point
And kind well temper'd satire, smoothly keen,
Steals through the soul, and without pain corrects.
Or rising thence with yet a brighter flame,
O let me hail thee on some glorious day,
When to the listening senate, ardent, crowd
Britannia's sons to hear her pleaded cause.
Then dress'd by thee, more amiably fair,
Truth the soft robe of mild persuasion wears:
Thou to assenting reason givest again
Her own enlighten'd thoughts; call'd from the heart,
The obedient passions on thy voice attend;
And e'en reluctant party feels a while
Thy gracious power: as through the varied maze
Of eloquence, now smooth, now quick, now strong,
Profound and clear, you roll the copious flood.
(ll. 656-90)
Categories
Provenance
Looking up words in the OED; found again reading; confirmed in ECCO in a 1744 printing.
Citation
Finding at least 80 entries in ECCO and ESTC (1744, 1746, 1750, 1758, 1761, 1762, 1763, 1764, 1766, 1767, 1768, 1769, 1770, 1771, 1772, 1773, 1774, 1775, 1776, 1777, 1778, 1779, 1780, 1781, 1783, 1787, 1788, 1789, 1790, 1791, 1792, 1793, 1794, 1795, 1800).
See The Seasons. By James Thomson. (London: Printed [by Henry Woodfall] for A. Millar, in the Strand, 1746). 234 pp. <Link to ECCO>
Winter was first published in 1726. Text much revised and expanded between 1726 and 1746. Searching metaphors in The Poetical Works (1830) through Stanford HDIS interface, later checked against earlier editions. Also reading James Sambrook's edition of The Seasons and The Castle of Indolence (Oxford: Clarendon Press, 1972), which reproduces the 1746 edition of Thomson's poem. Searching in ECCO to confirm dates of publication.
See The Seasons. By James Thomson. (London: Printed [by Henry Woodfall] for A. Millar, in the Strand, 1746). 234 pp. <Link to ECCO>
Winter was first published in 1726. Text much revised and expanded between 1726 and 1746. Searching metaphors in The Poetical Works (1830) through Stanford HDIS interface, later checked against earlier editions. Also reading James Sambrook's edition of The Seasons and The Castle of Indolence (Oxford: Clarendon Press, 1972), which reproduces the 1746 edition of Thomson's poem. Searching in ECCO to confirm dates of publication.
Date of Entry
09/29/2005
