"Homer draws him (as we have seen) soft of Speech, the natural Quality of an amorous Temper; vainly gay in War as well as Love; with a Spirit that can be surprized and recollected, that can receive Impressions of Shame or Apprehension on the one side, or of Generosity and Courage on the other; the usual Disposition of easy and courteous Minds which are most subject to the Rule of Fancy and Passion."

— Pope, Alexander (1688-1744)


Place of Publication
London
Publisher
Printed by W. Bowyer, for Bernard Lintott
Date
1715-1720
Metaphor
"Homer draws him (as we have seen) soft of Speech, the natural Quality of an amorous Temper; vainly gay in War as well as Love; with a Spirit that can be surprized and recollected, that can receive Impressions of Shame or Apprehension on the one side, or of Generosity and Courage on the other; the usual Disposition of easy and courteous Minds which are most subject to the Rule of Fancy and Passion."
Metaphor in Context
Verse 86. 'Tis just, my Brother .]

This Speech is a farther opening of the true Character of Paris . He is a Master of Civility, no less well-bred to his own Sex than courtly to the other. The Reproof of Hector was of a severe Nature, yet he receives it as from a Brother and a Friend, with Candour and Modesty. This Answer is remarkable for its fine Address; he gives the Heroe a decent and agreeable Reproof for having too rashly depreciated the Gifts of Nature. He allows the Quality of Courage its utmost due, but desires the same Justice to those softer Accomplishments, which he lets him know are no less the Favour of Heaven. Then he removes from himself the Charge of want of Valour, by proposing the single Combate with the very Man he had just declined to engage; which having shewn him void of any Malevolence to his Rival on the one hand, he now proves himself free from the Imputation of Cowardice on the other. Homer draws him (as we have seen) soft of Speech, the natural Quality of an amorous Temper; vainly gay in War as well as Love; with a Spirit that can be surprized and recollected, that can receive Impressions of Shame or Apprehension on the one side, or of Generosity and Courage on the other; the usual Disposition of easy and courteous Minds which are most subject to the Rule of Fancy and Passion. Upon the whole, this is no worse than the Picture of a gentle Knight , and one might fancy the Heroes of the modern Romance were form'd upon the Model of Paris .

Provenance
HDIS
Citation
17 entries in ESTC (1715, 1718, 1720, 1721, 1729, 1732, 1736, 1738, 1754, 1767, 1770, 1790, 1791, 1796). Vol. 2 is dated 1716; vol. 3, 1717; vol. 4, 1718; vols. 5 and 6, 1720.

See The Iliad of Homer, Translated by Mr. Pope, 6 vols. (London: Printed by W. Bowyer, for Bernard Lintott, 1715-1720). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III><Vol. IV><Vol. V><Vol. VI>
Theme
Ruling Passion
Date of Entry
10/26/2003
Date of Review
06/01/2004

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.