"The Colours paint themselves on the Fancy, with very little Attention of Thought or Application of Mind in the Beholder."

— Addison, Joseph (1672-1719)


Place of Publication
London
Date
Saturday, June 21, 1712
Metaphor
"The Colours paint themselves on the Fancy, with very little Attention of Thought or Application of Mind in the Beholder."
Metaphor in Context
A beautiful Prospect delights the Soul, as much as a Demonstration; and a Description in Homer has charmed more Readers than a Chapter in Aristotle. Besides, the Pleaures of the Imagination have this Advantage, above those of the Understanding, that they are more obvious, and more easie to be acquired. It is but opening the Eye, and the Scene enters. The Colours paint themselves on the Fancy, with very little Attention of Thought or Application of Mind in the Beholder. We are struck, we know not how, with the Symmetry of any thing we see, and immediately assent to the Beauty of an Object, without enquiring into the particular Causes and Occasions of it.
(Vol. II, p. 715)
Provenance
See Marjorie Nicholson's Newton Demands the Muse (Princeton: Princeton UP, 1946), 157. Found again reading David Alvarez's "'Poetical Cash': Joseph Addison, Antiquarianism, and Aesthetic Value" Eighteenth-Century Studies 38.3 (2005), 518.
Citation
At least 80 entries in ESTC (1711, 1712, 1713, 1714, 1715, 1716, 1717, 1718, 1720, 1721, 1723, 1724, 1726, 1729, 1733, 1734, 1735, 1737, 1738, 1744, 1745, 1747, 1748, 1749, 1750, 1753, 1754, 1755, 1756, 1756, 1757, 1761, 1763, 1765, 1766, 1767, 1769, 1771, 1776, 1778, 1785, 1788, 1789, 1781, 1793, 1797, 1799, 1800).

By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).

Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>

Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965), iii, 535-539.
Date of Entry
05/26/2005
Date of Review
11/24/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.