"[I]deas are not any how and at random produced, there being a certain order and connexion between them, like to that of cause and effect: there are also several combinations of them, made in a very regular and artificial manner, which seem like so many instruments in the hand of nature, that being hid, as it were, behind the scenes, have a secret operation in producing those appearances which are seen on the theatre of the world"

— Berkeley, George (1685-1753)


Place of Publication
Dublin
Publisher
Printed by Aaron Rhames, for Jeremy Pepyat
Date
1710, 1734
Metaphor
"[I]deas are not any how and at random produced, there being a certain order and connexion between them, like to that of cause and effect: there are also several combinations of them, made in a very regular and artificial manner, which seem like so many instruments in the hand of nature, that being hid, as it were, behind the scenes, have a secret operation in producing those appearances which are seen on the theatre of the world"
Metaphor in Context
LXIV. To set this matter in a clearer light, I shall observe that what has been objected in Sect. lx. amounts in reality to no more than this: ideas are not any how and at random produced, there being a certain order and connexion between them, like to that of cause and effect: there are also several combinations of them, made in a very regular and artificial manner, which seem like so many instruments in the hand of nature, that being hid, as it were, behind the scenes, have a secret operation in producing those appearances which are seen on the theatre of the world, being themselves discernible only to the curious eye of the philosopher. But since one idea cannot be the cause of another, to what purpose is that connexion? and since those instruments, being barely inefficacious perceptions in the mind, are not subservient to the production of natural effects: it is demanded why they are made, or, in other words, what reason can be assigned why God should make us, upon a close inspection into his works, behold so great variety of ideas, so artfully laid together, and so much according to rule; it not being credible, that he would be at the expense (if one may so speak) of all that art and regularity to no purpose?
(Part I, §64, p. 68)
Provenance
Searching "theatre" in Past Masters
Citation
George Berkeley, A Treatise Concerning the Principles of Human Knowledge: Wherein the chief cause of error and difficulty in the Sciences, with the grounds of Scepticism, Atheism, and Irreligion are inquired Into (Dublin: printed by Aaron Rhames, for Jeremey Pepyet, 1710). <Link to ECCO>

See also Tonson's London edition: A Treatise Concerning the Principles of Human Knowledge. Wherein the Chief Causes of Error and Difficulty in the Sciences, with the Grounds of Scepticism, Atheism, and Irreligion, are Inquired Into. First Printed in the Year 1710. To Which are Added Three Dialogues between Hylas and Philonous, in Opposition to Scepticks and Atheists. First Printed in the Year 1713. Both Written by George Berkeley, M. A. Fellow of Trinity-College, Dublin (London: Jacob Tonson, 1734). <Link to ECCO>

Text from Past Masters digitized version, based on second edition of 1734. From The Works of George Berkeley, ed. T. E. Jessop and A. A. Luce, vol. ii (Desirée Park: Thomas Nelson, 1979).
Date of Entry
04/13/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.