updated_at,id,text,theme,metaphor,work_id,reviewed_on,provenance,created_at,comments,context,dictionary
2009-09-14 19:47:22 UTC,16593,"Those persons who favour the opinion of the incessant improveableness of the human species, have felt strongly prompted to embrace the creed of Helvetius, who affirms that the minds of men, as they are born into the world, are in a state of equality, alike prepared for any kind of discipline and instruction that may be afforded them, and that it depends upon education only, in the largest sense of that word, including every impression that may be made upon the mind, intentional or accidental, from the hour of our birth, whether we shall be poets or philosophers, dancers or singers, chemists or mathematicians, astronomers or dissectors of the faculties of our common nature.
(p. 41)","","Helvetius's creed is that men are born equal and ""it depends upon education only, in the largest sense of that word, including every impression that may be made upon the mind, intentional or accidental, from the hour of our birth, whether we shall be poets or philosophers, dancers or singers, chemists or mathematicians, astronomers or dissectors of the faculties of our common nature""",6270,,"Searching ""mind"" at Electronic Text Center at UVA Library",2005-08-11 00:00:00 UTC,"",Essay II. Of The Distribution of Talents.,Impression
2013-06-06 19:21:48 UTC,20452,"Mr. Coleridge bewilders himself sadly in endeavouring to determine in what the essence of poetry consists;--Milton, we think, has told it in a single line--
--'Thoughts that voluntary movePoetry is the music of language, expressing the music of the mind. Whenever any object takes such a hold on the mind as to make us dwell upon it, and brood over it, melting the heart in love, or kindling it to a sentiment of admiration;--whenever a movement of imagination or passion is impressed on the mind, by which it seeks to prolong and repeat the emotion, to bring all other objects into accord with it, and to give the same movement of harmony, sustained and continuous, to the sounds that express it,--this is poetry. The musical in sound is the sustained and continuous; the musical in thought and feeling is the sustained and continuous also. Whenever articulation passes naturally into intonation, this is the beginning of poetry. There is no natural harmony in the ordinary combinations of significant sounds: the language of prose is not the language of music, or of passion: and it is to supply this inherent defect in the mechanism of language--to make the sound an echo to the sense, when the sense becomes a sort of echo to itself--to mingle the tide of verse, 'the golden cadences of poesy,' with the tide of feeling, flowing, and murmuring as it flows--or to take the imagination off its feet, and spread its wings where it may indulge its own impulses, without being stopped or perplexed by the ordinary abruptnesses, or discordant flats and sharps of prose--that poetry was invented.
Harmonious numbers.'