work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
3820,"","Searching ""impression"" and ""fancy"" in HDIS (Poetry)",2005-05-20 00:00:00 UTC,"When unto such a Maid has given her Heart,
And said, Alone my Happiness thou art,
In thee and in thy Truth I place my Rest.
Her sad Surprize how can it be exprest,
When all on which she built her Joy she finds,
Vanish, like Clouds, disperst before the Winds;
Her self, who th' adored Idol wont to be,
A poor despis'd Idolater to see?
Regardless Tears she may profusely spend,
Unpitty'd sighs her tender Breast may rend:
But the false Image she will ne're erace,
Though far unworthy still to hold its place:
So hard it is, even Wiser grown, to take
Th' Impression out, which Fancy once did make.
Believe me Nymphs, believe my hoary hairs,
Truth and Experience waits on many years.
",,9840,"","""But the false Image she will ne're erace, / Though far unworthy still to hold its place: / So hard it is, even Wiser grown, to take / Th' Impression out, which Fancy once did make.""",Impression,2011-11-24 18:55:37 UTC,""
5479,"","Searching ""mind"" in Liberty Fund's OLL edition of The Decline and Fall",2005-10-09 00:00:00 UTC,"The dissolute tyranny of Commodus, the civil wars occasioned by his death, and the new maxims of policy introduced by the house of Severus, had all contributed to increase the dangerous power of the army, and to obliterate the faint image of laws and liberty that was still impressed on the minds of the Romans. This internal change, which undermined the foundations of the empire, we have endeavoured to explain with some degree of order and perspicuity. The personal characters of the emperors, their victories, laws, follies, and fortunes, can interest us no further than as they are connected with the general history of the Decline and Fall of the monarchy. Our constant attention to that great object will not suffer us to overlook a most important edict of Antoninus Caracalla, which communicated to all the free inhabitants of the empire the name and privileges of Roman citizens. His unbounded liberality flowed not, however, from the sentiments of a generous mind; it was the sordid result of avarice, and will naturally be illustrated by some observations on the finances of that state, from the victorious ages of the commonwealth to the reign of Alexander Severus.",2011-06-05,14650,"","""The dissolute tyranny of Commodus, the civil wars occasioned by his death, and the new maxims of policy introduced by the house of Severus, had all contributed to increase the dangerous power of the army, and to obliterate the faint image of laws and liberty that was still impressed on the minds of the Romans.""",Impressions,2011-06-06 03:27:48 UTC,"Vol I, Chapter vi. The death of Severus -- Tyranny of Caracalla -- Usurpation of Macrinus -- Follies of Elagabalus -- Virtues of Alexander Severus -- Licentiousness of the army -- General state of the Roman Finances"
5787,"","Searching ""mind"" and ""line"" in HDIS (Poetry)",2005-05-11 00:00:00 UTC,"For, vainly think not, tho' the classic school
Of eloquence hath charm'd thy tranced hours,
That, there, the just--the appropriate model claims
Thine imitative labours. Unconstrain'd,
From equity's intrinsic source, (to all
Perspicuous), and the heart's decisions stamp'd
By Nature's seal, and man's primæval laws,
The immortal champions of the forum drew
Their more persuasive numbers. Short their code,
And simple; wedded to no toil austere;
Nor asking many a lustrum, to devote
The midnight lamp to musing. To combine
The quick varieties of thought; to snatch
From elocution all the heightening grace
Of diction; and amuse the million's eye
By each external impulse; this their boast,
This was their aim. No deep immuring pile
(The science of innumerous tomes) opprest
The mental strength elastic; nor perplex'd
By facts from mazy records, the free flow
Of speech, that never hesitating ran
Thro' easy vein. And while (the rare result
Of letter'd art) the precious volume gave
Its treasures to the few--perhaps no more
Accessible, and barr'd from vulgar gaze;
They bade retentive memory on their mind
Impress each image, in distinctive lines
That mock'd erasure. Hence the pleader, bold
In vigorous thought, and trusting to those powers
Which knew no ready refuge in the means
Of foreign aid, unlock'd with nature's key
The secret springs that agitate the soul!",2011-11-24,15441,"","""They bade retentive memory on their mind / Impress each image, in distinctive lines / That mock'd erasure.""","",2011-11-24 19:50:06 UTC,""
6101,"","Searching in ""heart"" and ""engrav"" in HDIS (Poetry); confirmed in ECCO.",2005-03-08 00:00:00 UTC,"'Twas thus Apelles bask'd in beauty's rays,
And felt the mischief of the stedfast gaze;
Trac'd with disorder'd hand Campaspe's charms,
And as their beam the kindling canvas warms,
Triumphant love, with still superior art,
Engraves their wonders on the Painter's heart.
(Cf. p. 6 in 1781 edition)
",,16131,"•As noticed previously, engraving may belong to both Writing and the Visual Arts. Here is seems (at the mention of the picture) that the engraving belongs to the category of Visual Arts.
","""Triumphant love, with still superior art, / Engraves their wonders on the Painter's heart.""","",2014-06-11 14:33:52 UTC,""
7099,"",Searching in ECCO,2011-09-20 19:44:30 UTC,"And when I have done it, you may reasonably ask me of what Importance can the History of my private Life be to the Publick? To this, indeed, I can only make you a ludicrous Answer, which is, That the Publick very well knows my Life has not been a private one; that I have been employ'd in their Service ever since many of their Grandfathers were young Men; And tho' I have voluntarily laid down my Post, they have a sort of Right to enquire into my Conduct (for which they have so well paid me) and to call for the Account of it during my Share of Administration in the State of the Theatre. This Work, therefore, which I hope they will not expect a Man of hasty Head shou'd confine to any regular Method: (For I shall make no scruple of leaving my History when I think a Digression may make it lighter for my Reader's Digestion.) This Work, I say, shall not only contain the various Impressions of my Mind, (as in Louis the Fourteenth his Cabinet you have seen the growing Medals of his Person from Infancy to Old Age,) but shall likewise include with them the Theatrical History of my Own Time, from my first Appearance on the Stage to my last Exit.
(p. 4)
",,19203,USE IN ENTRY,"""This Work, I say, shall not only contain the various Impressions of my Mind, (as in Louis the Fourteenth his Cabinet you have seen the growing Medals of his Person from Infancy to Old Age,) but shall likewise include with them the Theatrical History of my Own Time, from my first Appearance on the Stage to my last Exit.""",Coinage,2011-09-20 19:50:31 UTC,""
4475,"",Searching in Google Books,2012-01-22 18:45:25 UTC,"That there are some Ideas of the Mind which were not stamped or imprinted upon it from the Sensible Objects without, and therefore must needs arise from the Innate Vigour and Activity of the Mind it self, is evident, in that there are, First, Ideas of such things as neither are Affections of Bodies, nor could be imprinted or conveyed by any Local Motions, nor can be pictured at all by the Fancy in any sensible Colours; such as are the Ideas of Wisdom, Folly, Prudence, Imprudence, Knowledge, Ignorance, Verity, Falsity, Vertue, Vice, Honesty, Dishonesty, Justice, Injustice, Volition, Cogitation, nay, of Sense it self, which is a Species of Cogitation, and which is not perceptible by any Sense; and many other such like Notions as include something of Cogitation in them, or refer to Cogitative Beings only; which Ideas must needs spring from the Active Power and Innate Fecundity of the Mind it self, Because the Corporeal Objects of Sense can imprint no such things upon it. Secondly, in that there are many Relative Notions and Ideas, attributed as well to Corporeal as Incorporeal things that proceed wholly from the Activity of the Mind Comparing one thing with another. Such as are Cause, Effect, Means, End, Order, Proportion, Similitude, Dissimilitude, Equality, Inequality, Aptitude, Inaptitude, Symmetry, Asymmetry, Whole and Part, Genus and Species, and the like.
(IV.ii.1, pp. 148-9)",,19493,"","""That there are some Ideas of the Mind which were not stamped or imprinted upon it from the Sensible Objects without, and therefore must needs arise from the Innate Vigour and Activity of the Mind it self, is evident, in that there are, First, Ideas of such things as neither are Affections of Bodies, nor could be imprinted or conveyed by any Local Motions, nor can be pictured at all by the Fancy in any sensible Colours; such as are the Ideas of Wisdom, Folly, Prudence, Imprudence, Knowledge, Ignorance, Verity, Falsity, Vertue, Vice, Honesty, Dishonesty, Justice, Injustice, Volition, Cogitation, nay, of Sense it self, which is a Species of Cogitation, and which is not perceptible by any Sense; and many other such like Notions as include something of Cogitation in them, or refer to Cogitative Beings only; which Ideas must needs spring from the Active Power and Innate Fecundity of the Mind it self, Because the Corporeal Objects of Sense can imprint no such things upon it.""",Impressions,2012-01-22 18:45:35 UTC,"Book IV, Chapter ii"
6506,"",Reading,2013-06-04 20:16:02 UTC,"To the harassed spirits of Ellena the changing scenery was refreshing, and she frequently yielded her cares to the influence of majestic nature. Over the gloom of Schedoni, no scenery had, at any moment, power; the shape and paint of external imagery gave neither impression or colour to his fancy. He contemned the sweet illusions, to which other spirits are liable, and which often confer a delight more exquisite, and not less innocent, than any which deliberative reason can bestow.
(II.x, p. 294)",,20347,"","""Over the gloom of Schedoni, no scenery had, at any moment, power; the shape and paint of external imagery gave neither impression or colour to his fancy.""",Impressions,2013-06-04 20:16:02 UTC,"Vol. II, Chap. x"
7658,"","Reading Jonathan Wordsworth's ""As with the Silence of Thought"" in High Romantic Argument (Cornell UP), p. 44.",2013-08-26 14:16:28 UTC,"So the foundations of his mind were laid.
In such communion, not from terror free,
While yet a child, and long before his time,
He had perceived the presence and the power
Of greatness, and deep feelings had impressed
Great objects on his mind with portraiture
And colour so distinct that on his mind
They lay like substances, and almost seemed
To haunt the bodily sense. He had received
A precious gift, for as he grew in years
With these impressions would he still compare
All his ideal stores, his shapes and forms,
And, being still unsatisfied with aught
Of dimmer character, he thence attained
An active power to fasten images
Upon his brain, and on their pictured lines
Intensely brooded, even till they acquired
The liveliness of dreams. Nor did he fail,
While yet a child, with a child's eagerness
Incessantly to turn his ear and eye
On all things which the rolling seasons brought
To feed such appetite. Nor this alone
Appeased his yearning--in the after day
Of boyhood, many an hour in caves forlorn
And in the hollow depths of naked crags
He sate, and even in their fixed lineaments,
Or from the power of a peculiar eye,
Or by creative feeling overborne,
Or by predominance of thought oppressed,
Even in their fixed and steady lineaments
He traced an ebbing and a flowing mind,
Expression ever varying.
(pp. 20-1, ll. 26-57)",,22610,"","""He had perceived the presence and the power / Of greatness, and deep feelings had impressed / Great objects on his mind with portraiture / And colour so distinct that on his mind / They lay like substances, and almost seemed / To haunt the bodily sense.""","",2013-08-26 14:16:28 UTC,""
7946,"",Reading (in the British Library),2014-06-22 03:47:54 UTC,"A block of marble is hewn from the quarry, and brought to PHIDIAS a rude and shapeless mass. He works upon it, reduces it into shape, gives it form and proportion, and a beautiful statue is produced. Is PHIDIAS himself who performed the work, a fragment from a rock? and is the idea of beauty after which he worked no more than a marble image within him?
But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS.
Let matter then be allowed to furnish the first materials; the enlightened mind, which by its operations upon these discovers truth, and pursues it through all its distant connections, must have powers as far superiour to that which gave the first impression, as PHIDIAS is superiour to the marble.
(pp. 55-6)",,24101,"","""Let matter then be allowed to furnish the first materials; the enlightened mind, which by its operations upon these discovers truth, and pursues it through all its distant connections, must have powers as far superiour to that which gave the first impression, as PHIDIAS is superiour to the marble.""","",2014-06-22 03:47:54 UTC,""
8131,"",Reading in EEBO-TCP,2016-03-11 16:39:55 UTC,"The Jesuits certainly are well worthy our imitation in this particular: Nor is there any Art by which they create themselves a greater interest in the Countries where the live, than that by which they undertake the Education of Youth. They who are deputed for this Employment, are not of the meanest quality; they are usually Gentlemen, Men of mature years, and such who have been well vers'd, not only in Ancient Authors, but in the Practice and Conversation of men, and in the methods of business: Their way is, by familiarity and softness to insinuate into the Affections of the Scholar, and to draw him on to diligence rather by hopes, then to whip him forwards by Punishments and Fear: And yet where Negligence makes Correction a duty, they do it rather by inflicting some light disgrace, than by Corporal chastisement, a thing opprobrious to Nature, and which rather dulls than quickens the capacities of Youth. One thing they practice frequently which is really of wonderful use, and that is, their accustoming their Schollars to Act their Parts in Plays. This inures them to a Manlike speech, and to a steedy Spirit and Address. I like Tragedy better than Comedy, where the Argument commonly is light, and is such as requires much of the Buffoon, whereas the former being great and Masculine, will be sure to leave a Tincture of something Noble upon the Mind of him who personates the Hero. Learning ought to be infus'd into the Scholar like spirits into a Bottle, by little and little, for whosoever attempts to pour in all at once, may in all likelihood spill a great part, and in a great measure fill the Vessel with Wind and Air. The Vessels 'tis true which have the streightest Necks will not so readily receive the Liquour, but then they will preserve what they once receive with much more certainty and lastingness of spirit. 'Tis so many times in the capacities of Youth: they who can receive any impression like the Virgin-wax, will as easily suffer a defacement unless it be hardned and matur'd by Time: whereas others who are hard to be wrought upon like Steel, retain the Images which are Engraven on them with much more beauty and perpetuity.
(pp. 23-5)",,24865,"","""'Tis so many times in the capacities of Youth: they who can receive any impression like the Virgin-wax, will as easily suffer a defacement unless it be hardned and matur'd by Time: whereas others who are hard to be wrought upon like Steel, retain the Images which are Engraven on them with much more beauty and perpetuity.""","",2016-03-11 16:39:55 UTC,Of Erudition. CHAP. III.