work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
5706,"",Reading,2003-07-29 00:00:00 UTC,"WHEN summer smiled, and birds on every spray
In joyous warblings tuned their vocal lay,
Nature on all sides showed a lovely scene,
And people's minds were, like the air, serene;
Sudden from th' herd we saw an heifer stray,
And to our peaceful village bend her way.
(ll. 1-6 p. 424)",,15230,"","""Nature on all sides showed a lovely scene, / And people's minds were, like the air, serene.""","",2013-08-09 22:36:46 UTC,""
5727,"",Reading,2003-07-29 00:00:00 UTC,"'Methinks you angry warrior's head
Doth in its casement frown,
And darts a look, as if it said,
""Where hast thou laid my son?""
'But will these fancies never cease?
O would the night were run!
My troubled soul can find no peace
But with the morning sun.
'Vain hope! the guilty never rest:
Dismay is always near;
There is a midnight in the breast
No morn shall ever cheer.
(ll. 17-28 p. 435)",,15265,"•Conrad is about to meet the ghost of Edward. Note that this is all soliloquy or reported thought.
•I will eventually have to admit ""breast"" (and perhaps) ""head"" as two metonymic words to which my entries will be keyed, along with heart and mind.","""There is a midnight in the breast / No morn shall ever cheer.""","",2013-06-05 17:06:27 UTC,""
5736,"",Searching Michael Gamer's online collection of Radcliffe's poetry at http://www.english.upenn.edu/~mgamer/Etexts/radcliffepoems.html,2013-05-29 20:06:29 UTC,"When the ball broke up, she retired to her apartment, but not to sleep. Joy is as retless as anxiety or sorrow. She seemed to have entered upon a new state of existence;--those fine springs of affection which had hitherto lain concealed, were now touched, and yielded to her a happiness more exalted than any her imagination ever painted. She reflected on the tranquility of her past life, and comparing it with the emotions of the present hour, exulted in the difference. All her former pleasures now appeared insipid; she wondered that they ever had power to affect her, and that she had endured with content the dull uniformity to which she had been condemned. It was now only that she appeared to live. Absorbed in the single idea of being beloved, her imagination soared into the regions of romantic bliss, and bore her high above the possibility of evil. Since she was beloved by Hippolitus, she could only be happy. From this state of entranced delight she was awakened by the sound of music immediately under her window. It was a lute touched by a masterly hand. After a wild and melancholy symphony, a voice of more than magic expression swelled into an air so pathetic and tender, that it seemed to breathe the very soul of love. The chords of the lute were struck in low and sweet accompaniment. Julie listened, and distinguished the following words:
(II, pp. 46-7)",,20249,• Entry originally attached to duplicate title. Deleted and moved. ,"""She seemed to have entered upon a new state of existence;--those fine springs of affection which had hitherto lain concealed, were now touched, and yielded to her a happiness more exalted than any her imagination ever painted.""","",2013-05-29 20:06:29 UTC,Chapter II
5736,"",Reading,2013-05-31 21:52:23 UTC,"hus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer evenings were spent in the pavillion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.
(I.i, pp. 14-15; p. 7 in OUP edition)",,20255,"","""A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency.""","",2013-05-31 21:52:23 UTC,"Volume I, Chapter I"
5736,"",Reading,2013-05-31 21:55:57 UTC,"Conversation may be divided into two classes--the familiar and the sentimental. It is the province of the familiar, to diffuse chearfulness and ease--to open the heart of man to man, and to beam a temperate sunshine upon the mind.--Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting ease, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,--the sensibilities expand--and wit, guided by delicacy and embellished by taste--points to the heart.
(I.i, pp. 15-6; p. 7 in OUP edition)",,20257,"","""Here fancy flourishes,--the sensibilities expand---and wit, guided by delicacy and embellished by taste--points to the heart.""","",2013-05-31 21:55:57 UTC,"Volume I, Chapter I"
5736,"",Reading,2013-05-31 22:01:33 UTC,"At twelve the gates of the castle were thrown open, and the company quitted it for the woods, which were splendidly illuminated. Arcades of light lined the long vistas, which were terminated by pyramids of lamps that presented to the eye one bright column of flame. At irregular distances buildings were erected, hung with variegated lamps disposed in the gayest and most fantastic forms. Collations were spread under the trees; and music, touched by unseen hands, breathed around. The musicians were placed in the most obscure and embowered spots, so as to elude the eye and strike the imagination. The scene appeared enchanted. Nothing met the eye but beauty, and romantic splendor; the ear received no sounds but those of mirth and melody. The younger part of the company formed themselves into groups, which at intervals glanced through the woods, and were again unseen. Julia seemed the magic queen of the place. Her heart dilated with pleasure, and diffused over her features an expression of pure and complacent delight. A generous, frank, and exalted sentiment sparkled in her eyes, and animated her manner. Her bosom glowed with benevolent affections; and she seemed anxious to impart to all around her, a happiness as unmixed as that she experienced. Wherever she moved, admiration followed her steps. Ferdinand was as gay as the scene around him. Emilia was pleased; and the marquis seemed to have left his melancholy in the castle. The marchioness alone was wretched. She supped with a select party, in a pavillion on the sea shore, which was fitted up with peculiar elegance. It was hung with white silk, drawn up in festoons, and richly fringed with gold. The sofas were of the same materials, and alternate wreaths of lamps and of roses entwined the columns. A row of small lamps placed about the cornice, formed an edge of light round the roof which, with the other numerous lights, was reflected in a blaze of splendor from the large mirrors that adorned the room. The count Muriani was of the party;--he complimented the marchioness on the beauty of her daughters; and after lamenting with gaiety the captives which their charms would enthral, he mentioned the count de Vereza. ""He is certainly of all others the man most deserving the lady Julia. As they danced, I thought they exhibited a perfect model of the beauty of either sex; and if I mistake not, they are inspired with a mutual admiration."" The marchioness, endeavouring to conceal her uneasiness, said, ""Yes, my lord, I allow the count all the merit you adjudge him, but from the little I have seen of his disposition, he is too volatile for a serious attachment.""--At that instant the count entered the pavillion: ""Ah, said Muriani, laughingly, you was the subject of our conversation, and seem to be come in good time to receive the honours alloted you. I was interceding with the marchioness for her interest in your favour, with the lady Julia; but she absolutely refuses it; and though she allows you merit, alledges, that you are by nature fickle and inconstant. What say you--would not the beauty of lady Julia bind your unsteady heart?""
(I.ii, pp. 40-3; pp. 18-19 in OUP edition)",,20260,"","""What say you--would not the beauty of lady Julia bind your unsteady heart?""","",2013-05-31 22:03:28 UTC,"Volume I, Chapter II"
5736,"",Reading,2013-05-31 22:04:54 UTC,"The entertainment concluded with a grand firework, which was exhibited on the margin of the sea, and the company did not part till the dawn of morning. Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss. The pleasure she now felt, she believed would always be renewed, and in an equal degree, by the objects which first excited it. The weakness of humanity is never willingly perceived by young minds. It is painful to know, that we are operated upon by objects whose impressions are variable as they are indefinable--and that what yesterday affected us strongly, is to-day but imperfectly felt, and to-morrow perhaps shall be disregarded. When at length this unwelcome truth is received into the mind, we at first reject, with disgust, every appearance of good, we disdain to partake of a happiness which we cannot always command, and we not unfrequently sink into a temporary despair. Wisdom or accident, at length, recall us from our error, and offers to us some object capable of producing a pleasing, yet lasting effect, which effect, therefore, we call happiness. Happiness has this essential difference from what is commonly called pleasure; that virtue forms its basis, and virtue being the offspring of reason, may be expected to produce uniformity of effect.
(I.ii, pp. 44-5; p. 20 in OUP edition)",,20261,"","""Julia retired from the scene with regret. She was enchanted with the new world that was now exhibited to her, and she was not cool enough to distinguish the vivid glow of imagination from the colours of real bliss.""","",2013-05-31 22:04:54 UTC,"Volume I, Chapter II"
5736,"",Reading,2013-05-31 22:06:07 UTC,"When the ball broke up, she retired to her apartment, but not to sleep. Joy is as restless as anxiety or sorrow. She seemed to have entered upon a new state of existence;--those fine springs of affection which had hitherto lain concealed, were now touched, and yielded to her a happiness more exalted than any her imagination had ever painted. She reflected on the tranquillity of her past life, and comparing it with the emotions of the present hour, exulted in the difference. All her former pleasures now appeared insipid; she wondered that they ever had power to affect her, and that she had endured with content the dull uniformity to which she had been condemned. It was now only that she appeared to live. Absorbed in the single idea of being beloved, her imagination soared into the regions of romantic bliss, and bore her high above the possibility of evil. Since she was beloved by Hippolitus, she could only be happy.
(I.ii, pp. 51-2; p. 23 in OUP edition)",,20262,"","""She seemed to have entered upon a new state of existence;--those fine springs of affection which had hitherto lain concealed, were now touched, and yielded to her a happiness more exalted than any her imagination had ever painted.""","",2013-05-31 22:06:07 UTC,"Volume I, Chapter II"
5736,"",Reading,2013-05-31 22:11:16 UTC,"Julia endeavoured to reconcile herself to the change, and a circumstance soon occurred which obliterated her present sensations, and excited others far more interesting. One day that she was arranging some papers in the small drawers of a cabinet that stood in her apartment, she found a picture which fixed all her attention. It was a miniature of a lady, whose countenance was touched with sorrow, and expressed an air of dignified resignation. The mournful sweetness of her eyes, raised towards Heaven with a look of supplication, and the melancholy languor that shaded her features, so deeply affected Julia, that her eyes were filled with involuntary tears. She sighed and wept, still gazing on the picture, which seemed to engage her by a kind of fascination. She almost fancied that the portrait breathed, and that the eyes were fixed on her's with a look of penetrating softness. Full of the emotions which the miniature had excited, she presented it to Madame, whose mingled sorrow and surprize increased her curiosity. But what where the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother! Deprived of a mother's tenderness before she was sensible of its value, it was now only that she mourned the event which lamentation could not recall. Emilia, with an emotion as exquisite, mingled her tears with those of her sister. With eager impatience they pressed Madame to disclose the cause of that sorrow which so emphatically marked the features of their mother.
(I.ii, pp. 62-3; pp. 27-8 in OUP edition)",,20266,"","""But what where the various sensations which pressed upon her heart, on learning that she had wept over the resemblance of her mother!""","",2013-05-31 22:11:16 UTC,"Volume I, Chapter II"
7438,Punning on portray and draw?,Reading,2013-06-13 17:18:37 UTC,"Thou spectre of terrific mien,
Lord of the hopeless heart and hollow eye,
In whose fierce train each form is sees
That drives sick Reason to insanity!
I woo thee with unusual prayer,
""Grim visaged, comfortless Despair:""
Approach; in me a willing victim find,
Who seeks thine iron sway--and calls thee kind!
Ah! hide for ever from my sight
The faithless flatterer Hope--whose pencil, gay,
Portrays some vision of delight,
Then bids the fairy tablet fade away;
While in dire contrast, to mine eyes
Thy phantoms, yet more hideous, rise,
And Memory draws, from Pleasure's wither'd flower,
Corrosives for the heart--of fatal power!
I bid the traitor Love, adieu!
Who to this fond, believing bosom came,
A guest insidious and untrue,
With Pity's soothing voice--in Friendship's name;
The wounds he gave, nor Time shall cure
Nor Reason teach me to endure.
And to that breast mild Patience pleads in vain,
Which feels the curse--of meriting it's pain.
(ll. 1-24, pp. 49-50)",,20630,"","""Ah! hide for ever from my sight / The faithless flatterer Hope--whose pencil, gay, / Portrays some vision of delight, / Then bids the fairy tablet fade away; / While in dire contrast, to mine eyes / Thy phantoms, yet more hideous, rise, / And Memory draws, from Pleasure's wither'd flower, / Corrosives for the heart--of fatal power!""",Writing,2013-06-13 17:18:37 UTC,""